Thursday, 21 June 2012
My last FMP piece was originally worked in white embroidery threads before I decided and was inspired to dye it in tea bags to give it a vintage feel. This last piece was a real challenge for me because I was running out of inspiration and energy. I was really worried with this last piece that I was not going to be able to add enough texture, variations of stitch and techniques into the embroidery. However, I am glad I persevered at it and got it done and am really happy with what I have accomplished.
5th FMP piece was to design and make a cuff. I really wanted to concentrate on refinement, and in making a pair of cuff's it added variation into my collection. The cuff is embroidered on gold tulle with wire wrapping a jewellery making technique that I have applied into the design to give it some edge.
These are my 3rd and 4th FMP pieces inspired by Haute Couture Embroidery. I wanted to challenge myself with embroidering onto really delicate fabric so I decided to embroider and embellish these designs onto gold tulle. The intention of embroidering onto gold tulle was to draw attention to intricate details of stitch and the use of stitch and embellishment.
The dress and cape are two of the first pieces in my Final Major Project collection in which I designed and made. Dress and cape are inspired by 1920's Art Deco era, 17th and 19th century jewellery as well as Haute Couture Embroidery. The cape is of silk organza dyed in tea with feather and bead fringe. The dress is of hand embroidery with silk organza ruffle fringe overlayering each tier of feather trim and bead fringe. The photoshoot was taken by photographer Deimante Meilune in an abandon industrial estate which was perfect because the theme and mood I wanted to create is about ''In Its Imperfect Setting.''
Tuesday, 15 May 2012
3rd FMP sample
This is my third sample inspired by16th-17th century woven textile and haute couture embroidery. The whole sample is hand embroidered onto gold tulle to create a delicate vintage feel. This sample took me some time to make and develop but I feel that all my hard work paid off, and I am pleased with the progress I have made.
Monday, 23 April 2012
3rd FMP


My 3rd piece of work in which I have interpreted into a somewhat contemporary design combining 17th century jewellery with that of Asian bridal jewellery. The theme was to take ideas from the intricate shape the jewellery pices gave and in experimenting with the idea of truning it into embroidery and beading embellishing to create a raised 3-D effect for a jewllery/neck piece.
This is half of the design worked in embroidery and beading embellishment worked on gold tulle/netting. Another challenge I set for myself was to do embroidery work on netting and I am really surprised at how well it has worked.
2nd FMP Piece
The cape was another piece in which I made. Here the cape is only just pinned together because I was experimenting with layers and in seeing how many of the ruched/gathered layers of silk organza I needed to make the cape look a bit dramatic. I was also experimenting with the idea of adding the feather trim at the ends, at first when I pinned it together I really didn't like it but after a while I decided to keep it because it gave a softer look to the cape opposed to the layers of the silk organza. With the feather trim are to be strands of beads in a mixture of gold to help pick out the tea dye vintage look of the feathers and silk organza.
1st FMP Garment
This is a page taken from my sketchbook of the development work in designing my first garment. The theme is inspired by the decorative 1920's era and that of Haute Couture. The design of this sample is inspired by jewellery pieces from the 17th century in which I have interpreted into embroidery and beading embellishment. I also experimented with tea dying silk organza, as well as in distressing the fabric to make ruffles, along with tea dying ostrich feathers to give it a vintage feel to my garment.
Close up image of the dress with all the embroidery, beading embellishment, dyed feather trim and dyed ruched silk organza. The whole embellishment is stitched onto an off white silk organza and the underneath slip dress is of silk satin in a minx colour. I wanted the dress to be embellished onto sheer fabric because I wanted to be challenged in seeing how well I could stitch onto such a delicate fabric.
Close up image of the dress with all the embroidery, beading embellishment, dyed feather trim and dyed ruched silk organza. The whole embellishment is stitched onto an off white silk organza and the underneath slip dress is of silk satin in a minx colour. I wanted the dress to be embellished onto sheer fabric because I wanted to be challenged in seeing how well I could stitch onto such a delicate fabric.
Tuesday, 13 March 2012
Jewellery Making!
I recently took some time out to learn how to get a head start at jewellery making so I booked myself a few classes at 'Monty's Bead' shop. Jewellery making is something I've always been drawn to, but never new what types of materials I needed to get strarted so when I came across these lessons I had to sign myself up for them because it was a good offer to good to resist. For starters it only costs £25 for the lesson and secoundly all the materials were provided along with all the beads. Here in the picture are two bracelets and 2 necklaces I made them within 2 hours of my lesson. The intention of booking these classes was to get an understanding of how to put fastenings, crimps and in finding out what types of beading wires, and threads or sterling silver materials were needed to get started on making jewellery etc...I also booked the lesson because I wanted to learn a few things so that I could somehow incorporate it into my work for designing jewellery/neck pieces to go with my garments for my final major project. Having done the lessons I feel that it's been a really good extra little thing to learn because I know that it's something I can do later on in the future. The second bead class I went to was in learning how to wire wrap.....but I haven't got a picture to show yet......but since having had these two lessons I have since made myself 3 bracelets and one necklace. I can't wait to have a bit more time to get more creative in designing my own jewellery pieces!
FMP Wall Space
These are images of different things in which I have stuck on my wall space at uni to take inspiration from and in formulating own ideas for my collection.
Final Major Project
Phew....I guess I better start blogging again considering I haven't been on here for almost 2 months due to so much work, chaos + stress.
Where to start......well first off I started my Final Major Project about 3 weeks ago and I only have about 3 and a half more months left before all this madness is over. For my FMP I have decided to specialise in ''occassion wear'' in which I will be taking inspiration from Haute Couture embroidery, 1920's, 1930's and Art Deco. The coulours I will be using will be of white and different shades of gold/bronze and in experimenting with beading embellishment, dying of fabrics and fabric manipulation. My collection will consist of 4-5 items, 2 dresses one short the other long, a cape, a pair of cuffs and if I have time a neck piece/jewellery piece. My collection is going to be called 'In Its Imperfect Setting' the idea is to convey the beauty of the dress in it's richness of detail with luxe fabrics and embroidery and it's imperfection will come from either areas of worned looking manipulated parts of the dress and that of the wearer. I would like to convey that the wearer could be wearing the most beautiful garment in the world but what is hidden within herself is another deeper secret in which the public can not see.
I am looking forawrd to getting started on the actual making of my first garment, which I hope to do so either by tomorrow or Thursday. I am so nervous about the time limit and preassure to get this first garment made in which we are expected to have completed in 3 weeks. We have to have it done for the end of the year graduate brochures and the photoshoot for this will take place around the 1st and 2nd of April. Oh My Word......Craziness!!
Where to start......well first off I started my Final Major Project about 3 weeks ago and I only have about 3 and a half more months left before all this madness is over. For my FMP I have decided to specialise in ''occassion wear'' in which I will be taking inspiration from Haute Couture embroidery, 1920's, 1930's and Art Deco. The coulours I will be using will be of white and different shades of gold/bronze and in experimenting with beading embellishment, dying of fabrics and fabric manipulation. My collection will consist of 4-5 items, 2 dresses one short the other long, a cape, a pair of cuffs and if I have time a neck piece/jewellery piece. My collection is going to be called 'In Its Imperfect Setting' the idea is to convey the beauty of the dress in it's richness of detail with luxe fabrics and embroidery and it's imperfection will come from either areas of worned looking manipulated parts of the dress and that of the wearer. I would like to convey that the wearer could be wearing the most beautiful garment in the world but what is hidden within herself is another deeper secret in which the public can not see.
I am looking forawrd to getting started on the actual making of my first garment, which I hope to do so either by tomorrow or Thursday. I am so nervous about the time limit and preassure to get this first garment made in which we are expected to have completed in 3 weeks. We have to have it done for the end of the year graduate brochures and the photoshoot for this will take place around the 1st and 2nd of April. Oh My Word......Craziness!!
Sunday, 15 January 2012
Monday, 2 January 2012
Tuesday, 20 December 2011
More Indigo Samples
My second sample and interpretation using embroidery and beading embellishment for Indigo project inspired by illustrations taken from a Botanical book of dead rose centres.
Using Trapunto Techniques/applique, beading and a bit of embroidery for this 3rd sample. I am not really sure quite what to do with this sample, I don't really feel happy with the results and feel that it's still missing something......?
''My Dress Design/Toile''
This is my dress toile, a mock-up made in calico before the actual dress is cut and made in a more luxurious fabric. As part of my brief for Indigo I had to design a capsule collection consisting of 12 outfits and out of the 12 designs I had to choose one garment in which I felt would challenge me to make up and this is the dress I picked. The toile so far is still not completed yet, there is a lot of hand-stitching in areas in which I will have have to alter to make it sit in position better. The dress has a centre button stand placket to get in and out of dress and it has sheer fabric around waist area at front and back and around the neckline. The dress is suppose to have short sleeves which i haven't had the chance to make up yet, either this will get completed or not I am not sure. In the next few days I will have to start stitching the lining to the dress to make it look professionally made. The only element of this dress I have found diffcult is in smoothing out the curves/shape of the skirt to make it work well with the bodice. Perhaps for the skirt I could think about flared panels, or inverted pleats to make it fit well with the shaped waistline because I am not very happy with how wonky the button-hole placket sits over the skirt.
Close up Back view of Dress
Monday, 5 December 2011
My ''Pink'' dress!
This is my pink dress in which I designed and made in the last 3 evenings during the week. Recently I have not been very focused on my work within my studio/sketchbook, and wanted to break away from it and set my mind on other things. I had also planed a much needed ''girl's'' night out and while looking around in the high street shops I couldn't find anything remotely attractive in which I wanted to pay £40-£50 for. Most of the dresses looked cheap, and the colours were so dull and boring so I set myself a chllenge in making myself a simple dress but in a luxurious fabric and vibrant colour to wear. I am quite pleased with how the dress has turned out, and it's made me excited to want to make more dresses in goregous fabrics. However, this will have to be post-poned for a while now and I will have to get back into making more samples for Indigo. Monday, 14 November 2011
Embroidery of Botanical Roses
This is an embroidery sample in which I started on Monday the 7th of November and have only just finished it on the Saturday the 12th of November. I have been slaving away embroidering this piece to make it look like 3-D embroidered lace on sheer silk fabric. I have thoroughly enjoyed the challenge of completing this sample, it has taken time and a lot of persaverence, but the result has turned out better than what I had expected. By completing this sample it has enabled me to be more proactive about my work and it has encouraged me to continue creating and experimenting with emboridery. Saturday, 5 November 2011
''Women''
I am in the process of nearly completing another book...woohoo! The book I am engrossed in at the moment is called ''In Her Own Image'' which is about women working within the art, be it poets, writers, painters, pottery or stitching. The book has given me a real insight to the prejudice and the criticism of women from the Victorian era to what can still be seen within present age. Women juggled work, household keeping, being a wife, a mother and were never given acclaim for what they did making, ''being an artist'' almost unattainable. Women have always been steroetyped as being the unintelligent, uneducated of that of man. There has always been conflicts and preassure in what women should and shouldn't be.
Women should be proud of her self worth and equally respected by men and of society within all aspects of art. In saying this, I feel that as a single mother and full-time student finding one's self worth is a journey that takes you through all the hurdles of life and what you experience and take out is what you express through one's work. Women of the past have fought, endured and laboured much in defining themselves as not only being a woman but also in being a ''women artist'' and in todays age these preassures still exist or are not understood.
I have learnt through the years and more so recently the reason for why I am returning to the real art of making things by hand. The reason being, is that beautiful techniques in embroidery, lace-making, tailoring and Haute Couture has always excited me, these skills have always held me in complete awe and wonder of it's infinate details and textures. For me in wanting to learn the techniques has always been a desire to accomplish and achieve and in capturing and learning the history of the lives of those who worked to their deaths for it and were never recognised or given acclaim for is something I suppose reflects my personal feelings and ideas. For me the works that have been laboured over and whereby blood has been spilt has much more meaning to me then that of making things or designing things for mass production. Designing and making things for mass production has never appealed to me and a lot of is to do with the fact that I once lived in poverty and tasted what life could have been if I was not blessed with amazing adoptive parents. Even now I am still living a life that is not dependant of my own income and it's not easy. Over the years while studying this degree I have learnt that poverty is everywhere, you only have to go out your front door or down the next street and you will see it and this is what politics, status and the greed of men have bought into the world and as a young artist I do not wish to abide into the network that to be a designer within fashion and textiles/artist I have to conform to being a perfectionist at all levels of skills just to get a job by the time I graduate. I feel these ethics are wrong because it's not educating people to understand their own history, their own meanings and self worth behind the history and the need for making and why art of all types should be given more credit rather than what is percieved through greed.
Women should be proud of her self worth and equally respected by men and of society within all aspects of art. In saying this, I feel that as a single mother and full-time student finding one's self worth is a journey that takes you through all the hurdles of life and what you experience and take out is what you express through one's work. Women of the past have fought, endured and laboured much in defining themselves as not only being a woman but also in being a ''women artist'' and in todays age these preassures still exist or are not understood.
I have learnt through the years and more so recently the reason for why I am returning to the real art of making things by hand. The reason being, is that beautiful techniques in embroidery, lace-making, tailoring and Haute Couture has always excited me, these skills have always held me in complete awe and wonder of it's infinate details and textures. For me in wanting to learn the techniques has always been a desire to accomplish and achieve and in capturing and learning the history of the lives of those who worked to their deaths for it and were never recognised or given acclaim for is something I suppose reflects my personal feelings and ideas. For me the works that have been laboured over and whereby blood has been spilt has much more meaning to me then that of making things or designing things for mass production. Designing and making things for mass production has never appealed to me and a lot of is to do with the fact that I once lived in poverty and tasted what life could have been if I was not blessed with amazing adoptive parents. Even now I am still living a life that is not dependant of my own income and it's not easy. Over the years while studying this degree I have learnt that poverty is everywhere, you only have to go out your front door or down the next street and you will see it and this is what politics, status and the greed of men have bought into the world and as a young artist I do not wish to abide into the network that to be a designer within fashion and textiles/artist I have to conform to being a perfectionist at all levels of skills just to get a job by the time I graduate. I feel these ethics are wrong because it's not educating people to understand their own history, their own meanings and self worth behind the history and the need for making and why art of all types should be given more credit rather than what is percieved through greed.
Tuesday, 1 November 2011
''The Needle''
''a wonderful brightener and consoler; our weapon of defence against slothfulness, weariness, and sad thoughts.'' Dinah M. Craik
''Time was when the women of England were accustomed, almost from childhood, to the constant employment of their hands. It might be sometimes in elaborate works of fancy, now ridiculed for want of taste.....I cannot speak with unqualified praise of all objects on which they bestowed their attention, but if it were possible, I would write in characters of gold the indisputable fact that habits of industry and personal exertion thus acquired, gave them a strength and dignity of character, a power of usefulness and a capability of doing good which the higher theories of modern education fail to impart.'' Sarah Ellis
These quotes I have taken from the book, ''The Subversive Stitch Embroidery'' by Rozsika Parker. I have been reading this book for my dissertation and as I am reading it I am gaining a lot of insight into young girls and woman of the Victorian era and how stitching was an important part of their lifestyle. When I mean important lifestyle I don't just mean they stiched out of luxury, but they stitched with feeling either of remorse or for love of this particular art. Stitching, embroidering, lace-making were skills not appreciated as an art form and seems to be overlooked and critisized a lot of woman who were either forced into doing so as a respectful duty or for earning a living. How sad to think that stitching and embroidering can be so overlooked, undermined and ridiculed, for to me it holds such strong history and character of a person's life as well as in capturing the history of the people of the era.
Stitching is something I am extremely passionate about and I feel it should be more respected and held in high standards and should not be compared to other types of art forms eg....artist/painter.
''Time was when the women of England were accustomed, almost from childhood, to the constant employment of their hands. It might be sometimes in elaborate works of fancy, now ridiculed for want of taste.....I cannot speak with unqualified praise of all objects on which they bestowed their attention, but if it were possible, I would write in characters of gold the indisputable fact that habits of industry and personal exertion thus acquired, gave them a strength and dignity of character, a power of usefulness and a capability of doing good which the higher theories of modern education fail to impart.'' Sarah Ellis
These quotes I have taken from the book, ''The Subversive Stitch Embroidery'' by Rozsika Parker. I have been reading this book for my dissertation and as I am reading it I am gaining a lot of insight into young girls and woman of the Victorian era and how stitching was an important part of their lifestyle. When I mean important lifestyle I don't just mean they stiched out of luxury, but they stitched with feeling either of remorse or for love of this particular art. Stitching, embroidering, lace-making were skills not appreciated as an art form and seems to be overlooked and critisized a lot of woman who were either forced into doing so as a respectful duty or for earning a living. How sad to think that stitching and embroidering can be so overlooked, undermined and ridiculed, for to me it holds such strong history and character of a person's life as well as in capturing the history of the people of the era.
Stitching is something I am extremely passionate about and I feel it should be more respected and held in high standards and should not be compared to other types of art forms eg....artist/painter.
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